The rise and fall of the flashbulb
Our photographer illustrates the evolution of technology through something once ubiquitous, now obsolete.
Simplified lightning
Film photography
Making it easy makes it hard
Simplicity is good, but not always
Photography can seem very complicated, so cameras made for non-experts are often highly simplified. This can make them difficult to use.
Ends and means
Or, strategy and tactics in photography (and elsewhere)
You have many tasks, large and small, difficult and otherwise. For each one you have to choose a way to get it done. A problem arises when you find such a wonderful means that you forget the end.
Instant gratification in the Swinging Sixties
A darkroom inside the camera
A remarkable mid-century invention allowed a photographer to produce pictures almost immediately, a bit of magic that is rarely matched even by current digital cameras.
Live long and prosper
What makes a device last for decades?
Our photographer routinely handles cameras from many different eras, using them to take pictures rather than keeping them for display. Those that work best are neither the youngest ones nor the most expensive. What design features make for a long life?
The artist and her tools
Our photographer accompanied a pair of artists on a picture-taking expedition this past weekend. As expected, he has observations to make about old and new technology. But he was also driven to more general musings about the relationship between artists, their visions and their tools.
“Outside the proper scope”
What you can do, and what you should do
In the Five Colors Science & Technology library of photography are a number of old books that we still find interesting. Apart from details of procedures and chemistry that are hard to find elsewhere, they show the different ideas, through the years, of just what was a good photograph.
With or against the grain?
Defects become desirable
Our photographer is bemused by modern efforts to re-create, digitally, two of the least desirable qualities of fast film: high contrast and large grain. But the paradox of limitations and defects becoming highly sought-after features is not new, and is as widespread as ripped jeans.
The anti-selfie
Candid photography (for the expert)
We turn again to the theme of technology transforming society, or at least one part of it. With the invention of the 35mm still camera about a quarter of the way into the twentieth century, a whole area of life was suddenly opened up to photography. That was not the intention of the inventor, who was only looking for a lighter-weight way to take pictures himself.
But why pictures?
A photographer explores the ubiquity of images
Fooling around with a certain bit of relatively recent technology prompted our photographer to ask the question: why are there so many pictures? Our main way of capturing reality, that great manifold of experiences, is still the two-dimensional image. Being a scientist he then sought an answer (where a philosopher might instead have fallen into existential doubt). It’s not so hard to work out, really, but does highlight something important about our memories, and how technology is changing them.