Articles Tagged with old cameras

The postures of photography

Conforming to the machine

Our photographer notices how a new technology forces our bodies into new positions.

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Why an f-stop?

It’s all the astronomers’ fault

fstopOur photographic consultant is reminded how complicated things are for beginners, no matter how straightforward it all seems to the professionals.

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How big is a picture?

Returning to the Brownie format

b620The photographs that came out of this Kodak Brownie camera from the 1930s may be the best size ever found.

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Simplified lightning

The rise and fall of the flashbulb

flashbulbsOur photographer illustrates the evolution of technology through something once ubiquitous, now obsolete.

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Making it easy makes it hard

Simplicity is good, but not always

123Photography can seem very complicated, so cameras made for non-experts are often highly simplified.  This can make them difficult to use.

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Ends and means

Or, strategy and tactics in photography (and elsewhere)

You have many tasks, large and small, difficult and otherwise.  For each one you have to choose a way to get it done.  A problem arises when you find such a wonderful means that you forget the end.

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Instant gratification in the Swinging Sixties

A darkroom inside the camera

polaroidA remarkable mid-century invention allowed a photographer to produce pictures almost immediately, a bit of magic that is rarely matched even by current digital cameras.

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Live long and prosper

What makes a device last for decades?

autographic1Our photographer routinely handles cameras from many different eras, using them to take pictures rather than keeping them for display. Those that work best are neither the youngest ones nor the most expensive. What design features make for a long life?

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The artist and her tools

16KR01-15bOur photographer accompanied a pair of artists on a picture-taking expedition this past weekend. As expected, he has observations to make about old and new technology. But he was also driven to more general musings about the relationship between artists, their visions and their tools.

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“Outside the proper scope”

What you can do, and what you should do

manualIn the Five Colors Science & Technology library of photography are a number of old books that we still find interesting. Apart from details of procedures and chemistry that are hard to find elsewhere, they show the different ideas, through the years, of just what was a good photograph.

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